Phenomenological Reviews

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133966

Phenomenology: Critical concepts in philosophy III

Science, art, and ethics

edited byDermot Moran(University College Dublin)Lester Embree

Details | Table of Contents

Introduction to volume III Dermot Moran(University College Dublin)Lester Embree

pp.1-2
Philosophy of science

pp.3-182
The phenomenology of signals and significations Aron Gurwitsch

pp.5-20
To be a Fregean or to be a Husserlian

That is the question for Platonists

Guillermo Rosado Haddock

pp.21-42
Scientific discovery

Logical, psychological, or hermeneutical?

Theodore Kisiel

pp.43-58
Some contributions of existential phenomenology to the philosophy of natural science John Compton

pp.59-81
Phenomenological psychology John Scanlon

pp.82-98
The traumatized subject Rudolf Bernet(Husserl-Archives, KU Leuven)

pp.99-118
Positivistic philosophy and the actual approach of interpretative social science

An ineditum of AlFred Schutz from spring 1953

Alfred Schütz

pp.119-145
Phenomenology and historical knowledge David Carr(Emory University)

pp.146-158
The new hermeneutics, other trends, and the human sciences from the standpoint of transcendental phenomenology Thomas M. Seebohm

pp.159-182
Art

pp.183-270
Phenomenological aesthetics

An attempt at defining its range

Roman Witold Ingarden

pp.185-203
Philosophy and art Walter Biemel

pp.204-219
The aesthetic dialogue of Sartre and Merleau-Ponty Marjorie Grene

pp.220-240
Literary criticism and phenomenology Mikel Dufrenne

pp.241-252
Heidegger on art Otto Pöggeler

pp.253-270
Ethics

pp.271-370
The person in ethical contexts Max Scheler

pp.273-296
Personal freedom and others Simone de Beauvoir

pp.297-317
What is moral action? Robert Sokolowski

pp.318-331
Edmund Husserl

From reason to love

Ullrich Melle

pp.332-352
Ethics as first philosophy Emmanuel Levinas

pp.353-370

Publication details

Publisher: Routledge

Place: London

Year: 2004

Pages: 370

Full citation:

Moran Dermot, Embree Lester (2004) Phenomenology: Critical concepts in philosophy III: Science, art, and ethics. London, Routledge.